Networked Voices: The Role of Social Platforms in Shaping Transnational Feminist Consciousness
Xintong Li*
Al-Farabi Kazakh National University, Almaty 050040, Kazakhstan
Deconstructive Expression of the Scraper Technique: A Study on the Fusion of Oil Painting Materiality and Oriental Freehand Expression
Yiping Xu*
Hongik University, Seoul 04066, South Korea
Research on Digital Design of Intangible Cultural Heritage Cultural and Creative Products Based on KANO-AHP
Nandi Wang, Lu Ding, Sangwon You*
College of Fine Arts and Design, Daegu University, Daegu Gyeongsan 38453, South Korea
Perfect Realization of Non-attachment: A Systematic Theology
Yizhou Chen*
Daluoshan Institute of Buddhist Culture, Wenzhou 325000, China
From Score to Scenario: Storyboard Notation as a Structural Framework for Intermedia Audiovisual Composition
Suting Han*
Royal Northern College of Music, Manchester M13 9RD, United Kingdom
Innovative Development of Museum Digital Collections Driven by XR Technology: A Case Study of the Palace Museum
Yunting Mu1, *, Meijun Shen2, Maochi Pei2
1Guangzhou Nanfang College, Guangzhou 510970, China
2Guangzhou Academy of Fine Arts, Guangzhou 510260, China
Analysis of Digital Protection and New Media Communication of Sichuan Opera in the Past Two Decades
Yu Su*
Kangwon National University, Chuncheon 24341, South Korea
The Hidden Pain and Shame: A Cross-cultural Study of Falaka in Film and Social Media
Ruiying Jin*
Department of Video Broadcasting, Kyung-in Women’s University, Incheon 21401, South Korea
An Exploration of the “Breaking the Boundaries” and “Reinvention” of the Dissemination Paths of Chinese Classical Dance Works Driven by Digital Technologies
Yang Liu, Tongtong He*
School of Dance, Jilin University of the Arts, Changchun 130021, China
15th Five-year Plan and Youth Responsibility: Interactive Construction Logic, Global Perspectives and Chinese Approaches
Yuhan Liu*
Linyi City Vocational College, Linyi 276000, China
Special Mandate of APEC Bodies in Digital Trade
Yong Zhou*
Faculty of International Relations, The Belarusian State University, Minsk 220030, Belarus
The Historical Origins of Financial Culture with Chinese Characteristics: A Theoretical Inquiry into the Financial Genes Embedded in Shaanxi’s Historical and Cultural Heritage
Guojing Li1, *, Lili Liu2
1Chang’An Bank Co., Ltd., Xi’An 710000, China
2Xi’an Shengtang Tongda Trading Co., Ltd, Xi’An 710000, China
Experiential Marketing in the Esports Industry: How Technique-oriented and Entertainment-oriented Game Companions Sustain Career Stability
Wenling Gou1, Florian Lefebvre2, *, Robin Recours1, Jing Yang3
1SanTESiH Laboratory, University of Montpellier, Montpellier 34095, France
2Hanoi School of Business and Management, Vietnam National University, Hanoi 999100, Vietnam
3School of Psychology and Sociology, Mianyang Normal University, Mianyang 621006, China
Critiquing the Myth of the Given and the Rejection of Private Language – A Discussion Confined to the Theories of Sellars and Wittgenstein
Siqi Huang*
Tianfu College of SWUFE, Mianyang 621000, China
The Functions of Dissemination and Their Manifestation in the Profession of Museum Curators: A Case Study of Short Video Platforms
Hao Lin*, Lu Yun
Belarusian State University, Minsk 220030, Belarus