This paper compares the early film theories of Hugo Münsterberg and Vachel Lindsay, who offered contrasting perspectives on the essence of cinema. Münsterberg, as a psychologist, emphasized film’s psychological impact on perception and emotion, while Lindsay viewed cinema as a new form of artistic synthesis. Despite methodological differences, both theorists recognized film as a unique art form capable of shaping emotional and intellectual responses. Through comparative analysis, this paper explores their contributions to the foundation of modern film theory and highlights cinema’s distinct cultural and artistic value.
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Share and Cite
Yuan, Z. (2025) The Historical Construction of Early Film Theory: A Comparative Study of Hugo Münsterberg and Vachel Lindsay. Journal of Social Development and History, 1(2), 1-4.