Taking “Hallyu” (the Korean Wave) as the core analytical perspective, this study systematically explores the development logic, practical strategies, and global impacts of South Korea’s cultural diplomacy and public diplomacy, providing a typical case for research on the integration of culture and diplomacy. The research combs the transformation context from the emergence of the “culture-as-a-nation-building” strategy in the late 1990s to the realization of the shift from a “cultural importer” to a “cultural exporter” relying on Hallyu in the 21st century. It focuses on analyzing the multidimensional strategy system featuring government leadership, enterprise participation, and civil society collaboration: the government establishes a top-level policy framework, enterprises promote the cross-border export of cultural products through market-oriented operations, and civil society forms a spontaneous communication network via fan communities and social media. The study reveals Hallyu’s unique value in national image building, cross-cultural communication, and the driving of related industries. Meanwhile, it identifies three core challenges: communication barriers caused by cultural differences, insufficient content innovation, and intensifying global cultural competition. Finally, it extracts practical insights and proposes that China can draw on South Korea’s experiences in integrating policies with the market, combining cultural symbols with modern communication, and coordinating official and civil efforts, to provide a path reference for the upgrading of China’s cultural industry and the construction of international communication capacity.
References
[1] Nye, J. S. (2019) Soft power and public diplomacy revisited. The Hague Journal of Diplomacy, 14(1-2), 7-20.
[2] Adoui, A. (2023) International higher education as a soft power tool: Promoting Intercultural understanding and diplomacy in foreign policy. International Higher Education and The Rise of Soft Power as Cultural Diplomacy: A Comparative study of Morocco and South Korea, 51-80.Nye, J. S. (2019) Soft power and public diplomacy revisited. The Hague Journal of Diplomacy, 14(1-2), 7-20.
[3] Ścibiorska-Kowalczyk, I., Cichoń, J. (2021) The significance of cultural policy – case study of South Korea. Sustainability, 13(24), 13805.
[4] Çiçek, A. (2022) Soft power, public diplomacy and public diplomacy techniques: a conceptual evaluation. Turkish Business Journal, 3(6), 103-119.
[5] Ramli, A., Rahman, Z. S. A. (2025) The soft power of South Korea: Analysing the global impact of Squid Game (2021). International Journal of Creative Future and Heritage (TENIAT), 13(2), 57-70.
[6]Elder-Vass, D. (2019) Realism, values and critique. Journal of Critical Realism, 18(3), 314-318.
[7] Roh, T., Kim, S., Kim, T., Yoon, S. H. (2025) Unravelling the key topics of Hallyu: a cultural branding perspective from South Korea. Asia Pacific Business Review, 1-30.
[8] Shujaat, H., Sherazi, S. J., Elahi, K. (2025) Existential strains in Parasite: an analysis of class, power, and despair. Journal of Social Signs Review, 3(06), 126-132.
[9] Parc, J. (2021) Business integration and its impact on film industry: the case of Korean film policies from the 1960s until the present. Business History, 63(5), 850-867.
[10] Kim, Y. (2021) Introduction: popular culture and soft power in the social media age. The Soft Power of the Korean Wave, 1-38.
[11] Parc, J., Kim, S. D. (2020) The digital transformation of the Korean music industry and the global emergence of K-pop. Sustainability, 12(18), 7790.
[12] Ayhan, K. J. (2020) An exploration of Korean discourses on public diplomacy. Journal of Contemporary Eastern Asia, 19(1), 31-42.
[13] Kunkunrat, K. (2024) Korean cultural diplomacy: Uniting society through soft power. Best Journal of Administration and Management, 2(3), 157-162.
[14] Ganghariya, G., Kanozia, R. (2020) Proliferation of Hallyu wave and Korean popular culture across the world: a systematic literature review from 2000-2019. Journal of Content, Community & Communication, 11(6), 177-207.
[15] Uysal, N. (2019) The rise of diasporas as adversarial non-state actors in public diplomacy: the Turkish case. The Hague Journal of Diplomacy, 14(3), 272-292.
[16] You, W. U. (2018) The rise of China with cultural soft power in the age of globalization. Journal of Literature and Art Studies, 8(5), 763-778.
Share and Cite
Yue, Y. (2025) The Strategic Innovation and Global Impact of South Korean Cultural Diplomacy and Public Diplomacy Driven by the Hallyu. Journal of Social Development and History, 1(5), 1-18.
